| An
Introductory Remark with Regard to Saint Sassoon |
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These works are profound – profoundly profound! Combined they represents a perilous sojourn of the human spirit. I would love nothing more than to reveal the revelations, innumerable in number, which in their shameless intersections form the forms before you, but we both know that any naïve attempt to verbalize such things would only culminate in a feral pack of words marauding across our thoughts, the entrails of our initial inspiration clutched in their snapping maws. Instead of bemoaning the savage character of our medium, or worse pretending that it is within our power to domesticate it, we must assume a shamanistic mentality, fetishizeing this snarling beast in an attempt to divine meaning from its paroxystic manifestations. “The Passionate Love Ballad of Saint Cadillac Sassoon” The
names of dead racehorses and failed dotcom corporations From within
these Olympian temples Thousands
of devotees Animals
will come forth from the forests The elements
of the periodic table will abandon their petty differences God and
all his angels Atop mount
Golgotha, Billy
Graham will use his demonic powers to reanimate the putrid corpses All this in the name of Saint Sassoon, All this and more… This snippet of Sassonnic litany is characteristic of all communication. At every juncture we frantically invoke language as if it will somehow bring us closer together – bring us some relief from an existence that is fundamentally alone. But the absurd mingling of our words will only result in a more profound alienation – in this alone we will share. This is the unacknowledged content of our every exchange, the font from which ruptures self-absorbed cacophonies of words. In existential revolt, I still persist in my attempt to introduce the duplicitous possibility of original textual content, specifically a conceptual dissertation of three sculptures; the Zenith of Mushin, the Savage Appliance, and the Frontier. This specter of content, beyond that of our mutual solitude, is not something that these words will impartially convey, but rather something that they will use as a pretext to engage in their own wonton ecstasy (as was witnessed in the cavorting of Saint Sassoon). Let us instead view this premise of content, as we would view the chum used to elicit a feeding frenzy among sharks. We will offer up my shattered carcass of content as bait for this leviathan of language so that we may more closely study its habits. Only through this mode of perception can you and I engage in this frenzied spectacle and draw from the exchange any experience worth later baptizing as communication. Savagely yours, |
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